Blog Categories
Article Tags
Search This Site
Subscribe!
Recommended Books
  • Hand Tools: Their Ways and Workings
    Hand Tools: Their Ways and Workings
    by AA Watson
  • The Nature and Art of Workmanship
    The Nature and Art of Workmanship
    by David Pye


  • Places of the Soul: Architecture and Environmental Design as a Healing Art
    Places of the Soul: Architecture and Environmental Design as a Healing Art
    by Christopher Day


  • The Chair: Rethinking Culture, Body and Design
    The Chair: Rethinking Culture, Body and Design
    by G Cranz
  • The Eyes of the Skin: Architecture and the Senses
    The Eyes of the Skin: Architecture and the Senses
    by Juhani ,Prof. Pallasmaa
  • House of Belonging
    House of Belonging
    by David Whyte

  • The Wabi-Sabi House: The Japanese Art of Imperfect Beauty
    The Wabi-Sabi House: The Japanese Art of Imperfect Beauty
    by Robyn Griggs Lawrence

  • The Impractical Cabinetmaker: Krenov on Composing, Making and Detailing
    The Impractical Cabinetmaker: Krenov on Composing, Making and Detailing
    by James Krenov
Blog : Inspiration and information for the hand-tool-focused woodworker

Entries in Alexander Technique (1)

Friday
19Sep2008

Review: The Chair by Golan Cranz

The Chair: Rethinking, Culture, Body and Design.  Chairs are so much a part of our cultural furniture that it is easy to take them for granted.  The presence of chairs in our lives seems so natural that it is easy to forget that they have only comparatively recently come into widespread use - and even now are not used in many parts of the world.  Cranz reminds us of this and takes us on an invigorating tour of the history of the chair - not only from the point of view of form and structure, but also in terms of their cultural significance and, most importantly, in terms of their relationship to the body.  This is an aspect of chair design which is surprisingly often overlooked.

Cranz, who is a professor of architecture and an Alexander Technique Teacher, argues that the chair is a rather unnatural and harmful invention, and that the vast majority of chairs are badly designed from the body's point of view.  He claims that poor chair design plays a huge part in the epidemic of back problems suffered by people in the western world, and goes on to commment on the problems inherent in many famous designs.  Interestingly, many so called "ergonmic" chairs" also come in for criticism.  He goes on to suggest ways in which these problems can be ameliorated in chair design.  Some of these ideas are quite radical.

This book is a useful reference for anyone involved in making furniture.  It reminds us that we have a responsibility not only make things which look nice, but that we should should also strive to make things which are not physically harmful to the people who use them.  Furthermore it offers new ways to think about chairs which could be a source of inspiration for those who wish to explore radical new forms in their furniture making.  It would also make good reading for anyone who is about to buy a chair perhaps saving them much discomfort - or worse.

This book is bublished by W W Norton & Co Ltd, 2000